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New Zealand Music of the 60's, 70's, 80's, 90's and Noughties

datsuns.jpgNew Zealand music is a real curiosity (even for a New Zealander like myself). I didn't care much for it when I was growing up there in the 80's. I just thought most of it was slightly 'off' in comparison to the crispy sparkly American and British pop that got served up in that decade but as I grew older and I tired of mainstream music pap, I found that the NZ music scene was becoming more and more appetising by the day.

My first real experience with the NZ alternative music scene was a guy called Andrew Fagan and his band of misfits called the Mockers. They made a noble attempt to cross the mainstream in 1984 but having soon realised that it was more interesting to be a small fish in a large pond, rather than a big fish in a small pond, and therefore migrated to London. Unfortunately it seemed that most acts decided to close shop in NZ at the time and the period of the late 80's was not an exciting one for NZ music. Granted, bands like the Clean and the 3D's (who legend has it, were sent a bottle of champagne by Bono himself, in 1989 to congratulate them on "being the best band in the world". Legend also has it that this bottle was promptly sent back to him) we're an ecclectic and talented bunch and had they formed in the early 90's, would have most likely gained some form of commercial success.It's only until the public broadcasting organisation 'NZ On Air' was formed in 1991, that the NZ music scene received a much needed confidence boost. The organisation uses public money to assist with the funding of albums, music videos and other forms of promotion for new and existing NZ bands, both domestic and overseas.

So what state is it in now? Pretty damn good it seems. I haven't lived there since 2002 but from what I hear the scene's bubbling along nicely with Maori and Pacific Island rappers, very strong dub and drum 'n bass scenes and a decent amound of indie rock bands. However, it's the lack of live venues there that's really holding the scene back. Living in London has made me realise how easy it is to get a gig as live venues are to be found in abundance (most pubs even have a small stage tucked away in case you want to jam away). New Zealand does not have this luxury and I think it's due to people's perception of new bands, they're just not regarded as potential future talent. I remember one incident well which encapsulates what I think is currently going on in NZ. I found myself at the Temple Bar and Cafe in Auckland one night where they were holding a free performance night for up and coming female artists. I went to it with an open mind and I found genuinely talented artists who were playing with some damn awful equipment such as the bar's amp stack. By chance I had a chat to the owner that night and she was trying to sell the bar. 'I'm sick and tired of hearing these idiots play. They'll never make it'. I pointed out that the equipment provided wasn't great and that they would sound a lot better with the proper gear. She wasn't interested and just wanted to sell the bar. She was asking $NZD200,000. Towns like Auckland need more live venues if the scene's going to flourish. At the moment there's only ONE that promotes new bands on a weekly basis. The Datsuns probably gigged there about 10 times before being asked to support the White Stripes and the rest is history.

So how do I get a taste of the NZ scene, I hear you ask? Check out the following:

Posted on Friday, May 13, 2005 at 09:46AM by Registered CommenterMK in | Comments5 Comments

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Reader Comments (5)

And if you listen to no other New Zealand music, make sure you get hold of the Fat Freddy's Drop album. First independent local release to reach the number one slot since the Jazzercise record - and it's absolutely superb.

Great podcast. Keep it up.

Cheers,

Dubber
May 18, 2005 | Unregistered CommenterDubber
"Forever Tuesday Morning" remains one of my favourite songs. It's very nifty. I'll always remember it as a song at Retro (that great Wednesday night Auckland institution that sadly no longer exists) that many vaguely knew and liked, but few recognised as NZ made. I can't believe you didn't mention Zed, Fingy - the greatest thing to come out of NZ since Paul Holmes.
May 23, 2005 | Unregistered CommenterHayden
Well, if I'm going to throw in Zed then I would have to add in the 'Patea Maori Club' as well. Remember how much fuss they made about their Casio synthesizer? Apparently it was the only one in the country in 1984.

MK
May 23, 2005 | Unregistered CommenterMK
I just don't think there is enough of an underground scene for bands in Auckland for live music to take off. If you look at Auckland in general, it is going much more the 'posh' way with places charging 7 bucks for 1 damm beer, and the only bands you tend to get are cover bands.....
Not to say it wouldn't be a good thing. But I think towns like Dunedin maybe have more chance and it is smaller and more studenty...
July 4, 2005 | Unregistered CommenterAucklander
Good point and Dunedin has always been a haven for alternative music. More students, with more time on their hands
July 4, 2005 | Unregistered CommenterMK

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